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Study I​

 

1 "obsessive compulsive disorder"

 

Referencing the work of Saint-Saëns, this deeply personal production investigates the impact of my OCD on my performances through a blend of acoustic and electronic processes. The piece transforms personal experience into a sonic study of repetition, control, and perception.

 

2 "maid"

 

Created as an alternative score for a scene from Maid (2021), this piece explores how children perceive and internalize domestic violence. Through contrasting textures and fragile motifs, it seeks to capture the ambiguity, confusion, and emotional residue of a child's experience of traumatic environments.

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3 "synthesis etude"

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This work approaches the electronic synthesizer as though it were a traditional instrument requiring years of disciplined practice and technical refinement. Built around FM synthesis, the piece playfully treats parameter manipulation as virtuosic performance, blurring the line between earnest study and satire.